‘The Last of Us:’ Why Linda Ronstadt won’t get a cent for her music being used in HBO’s hit show | Culture | EL PAÍS English

Introduction

There are moments in music history when an artist doesn’t just perform—they detonate expectations. For Linda Ronstadt, “Y Andale” stands as one of those rare, electrifying ruptures—a performance that doesn’t politely ask for your attention but seizes it with unapologetic force.

For decades, Ronstadt was widely celebrated as the golden voice behind chart-topping hits, her image carefully curated within the boundaries of American pop and rock. But beneath that commercial success lay something far more potent: a deep, unshakable connection to her Mexican heritage. And with “Y Andale,” she didn’t just revisit those roots—she weaponized them.

The shock isn’t merely in the sound. It’s in the defiance.

At a time when mainstream audiences expected consistency—predictability, even—Ronstadt pivoted sharply, embracing a musical identity that many industry executives once considered “too ethnic,” “too niche,” or simply “too risky.” But “Y Andale” doesn’t care about those limitations. It bursts forward with urgency, infused with rhythmic vitality and emotional intensity that feels both ancient and immediate.

This is not crossover. This is reclamation.

Ronstadt’s vocal delivery in “Y Andale” is nothing short of ferocious. Gone is the restrained polish of her radio-friendly ballads. In its place is something raw, almost confrontational—a voice that carries centuries of cultural memory, pride, and resistance. She doesn’t sing to the audience; she sings through them, as if channeling something larger than herself.

And perhaps that’s exactly what makes it so unsettling.

Because “Y Andale” forces a question that few fans were ready to answer: Who is the real Linda Ronstadt? The soft-rock icon, or the cultural insurgent?

The truth, of course, is both. But it’s the collision of these identities that creates the shockwave.

Critics at the time were divided. Some hailed the performance as a bold artistic evolution, praising Ronstadt for her courage and authenticity. Others were less generous, struggling to reconcile this fiery, unapologetic expression with the image they had come to expect. But that discomfort—that friction—is precisely the point.

Art that doesn’t challenge is easily forgotten. “Y Andale” refuses to be forgotten.

In retrospect, the performance feels prophetic. Long before conversations about cultural identity and representation became central to the music industry, Ronstadt was already pushing those boundaries, insisting—loudly and unapologetically—that her heritage was not a footnote, but a foundation.

And in doing so, she didn’t just redefine her own career. She expanded the possibilities for what mainstream music could sound like, look like, and stand for.

Today, “Y Andale” resonates with a new generation of listeners who recognize its significance not just as a song, but as a statement. It’s a reminder that authenticity can be disruptive, that identity can be revolutionary, and that sometimes, the most powerful thing an artist can do is refuse to be confined.

So if you thought you knew Linda Ronstadt, think again.

Because “Y Andale” isn’t just a performance.

It’s a reckoning.

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